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From:
Gil Yaker
To:
Intelligent Dance Music
Date:
Thu, 21 Jul 1994 23:29:10 -0400 (EDT)
Subject:
Re: eno on ambient
Msg-Id:
<Pine.3.89.9407212344.B10160-0100000@rac3.wam.umd.edu>
In-Reply-To:
<9407212202.AA14129@vongole.MIT.EDU>
Mbox:
idm.9407.gz
On Thu, 21 Jul 1994 fms@MIT.EDU wrote:
quoted 8 lines I think it's important to make it clear whether you're talking about> > I think it's important to make it clear whether you're talking about > Ambient music or Ambient Dance music or Ambient Techno or whatever. > There's a big difference between Eno's music for Airports and UFORB. > Yet, I'd call them both ambient music. The difference is that Eno > is attempting to recreate the feel of an airport, while the orb is > attempting to recreate the feel of (say) an out of body experience > (in oobe). The orb also would like their tracks to be danceable.
I though, that specifically, Eno's definition of 'ambient' was music that could: a) be listened to, and at the same time b) function as sonic wallpaper (more at having a calming effect).
quoted 4 lines In short, Ambient is an overused term and as such there is lots of> > In short, Ambient is an overused term and as such there is lots of > room for misunderstanding. >
without doubt! but I don't think it's that difficult to distinguish the different types. There's ambient with a beat, and without. There's ambient with a formal music structure, and without.
quoted 2 lines I would consider most of SAW II to be ambient in the Eno-esque sense.> I would consider most of SAW II to be ambient in the Eno-esque sense. >
Now there, i would dissagree... I think most of SAW II, is very unlistenable. I think it only functions as a 'wallpaper' if you will, and you can't really hum out a melody, or harmony, or a beat or anything. granted - most- of that work -Gil